If I wanna learn the classic pass from the tube, does anyone have a suggestion who teaches it the best?
Well, I meant on you tube ☺☺☺I'm new to the classic pass, but I'm using the classic pass video by Jason England sold on Ellusionist and its fantastic.
Can you give a link of the free e-book version pls? Would helpThe Classic Pass by Jason England is here on Theory11, not Ellusionist.
I think I can categorically state that there is no one on YouTube that I've seen that will teach the pass properly.
They may teach how to make one packet transpose the other under cover, but that's only a fraction of what makes a good pass.
Find a copy of Expert at the Card Table. There's eBooks available, legally, for free, because it's in the public domain. It is the most concise text description of the classic pass I have ever read. Then, if you need a visual reference, get Jason England's video as well. Those two sources are the primary sources I used when learning the pass.
And remember this: No one should ever be looking at your hands when you do the pass. Focus on timing, sound, and a casual attitude.
The classic pass is the current name for what is called the two handed shift in Erdnase.
Have the royal, thanx for the suggestion mate.You can also look into the Royal Road for the most basic pass. There is like one, maybe 2 good tutorials on YouTube, but they will only help if you have some background knowledge. In fact, even if you learn it from the books, it'll be difficult. It is really a very personalized move for everyone.
Pick up the Royal Road if you don't have it already.
Thank you for putting it so plainly. Which country are you sir? Imagine paying 70$ for a bicycle standard deck. Then imagine paying 560$ for something that people from other countries can get in 3$ after that you can tell me how black my future prospects in magic is.Let me put it plainly: The vast majority of people who do tutorials on YouTube are awful teachers, because they have no actual experience with the moves they are supposedly teaching - they are just aping the movements they learned from some other crap tutorial on YouTube. They do not perform regularly, and they are not talented enough to garner views and followers without exposing secrets. There are exceptions, but the work of sifting through the junk isn't worth it in my mind. I'm sure there will be a couple guys who pop in here with recommendations shortly.
If you want to be seriously involved with magic, you are going to have to spend money. There's nearly no way around that.
I have given you two solid sources, one is free the other is cheap. If you can't take the initiative to head to Google now, I have bad news about your potential in the magic world. Learn to love research.
I was not criticizing you, I was criticizing your source of information.
This is going to be a bit of a rant. Not specifically directed at you, but at anyone to whom this applies.
....
Rant over.
But if learning a LOT (remember, not all) from 52kards, Jay Sankey and Chris Ramsey makes me a bad magician...
So be it
I agree with this. But the basic TL DR thing isOk - this goes a little off into the theory and philosophy of magic more than the OP intends, but I promise it'll loop back.
The problem with YouTube isn't just that the quality of teaching is limited. It's that the focus is in the wrong place.
Ever read about those old magicians from a hundred years ago? Even 80 or 60 years ago? A lot of their performances were pretty hokey, if you look at them with a lens of what current society thinks. But a lot of it was also really, really powerful and even many shows today can't replicate that.
Robert Houdin stopped a war with magic. Let me say that again, for emphasis - Robert Houdin, stopped a war. With magic. Specifically, the bullet catch, the light and heavy chest, and what we'd currently call standard coin magic. His methods are well published - The light and heavy chest he used was done with electromagnets, and sent a shock to whomever was holding the handle of the box at a given time. His bullet catch was the same method used in The Prestige. His coin magic was the stuff taught in Bobo's.
The specific methods were not what made it so that Robert Houdin could stop a war with magic. What did it, was his reputation, and his style of performance. Robert Houdin had built up a reputation of being a wonder worker, invincible, incredible. The Makmoud challenged him to a duel with pistols because he was known to be invincible. So he caught the bullet, and made a wall bleed. He understood the belief systems of the audience he was performing for, and he worked within that frame work.
There are very few today doing magic who understand this. Most of the people out there, particularly the people "Teaching" on YouTube, are focused on the deception of the move. They're focused on the physical aspect - making a physical move invisible to the spectator who's burning your hands.
But if you read into the performance styles of the greats of even 40 years ago, you'll find an interesting thread. A lot of them, actually weren't that great at sleight of hand. A lot of them got away with what they did by pure force of personality. They were so captivating on stage that they could use methods that we would genuinely pass off as insane today. Blatant moves right under the nose of the audience. Heck, one of the most effective ways to make an elephant appear on stage is just to light the other side of the stage with a spotlight and do something small while they walk the dang thing into the dark area. Then flip on the spotlight on the elephant and TADA! Elephant! Oh my god! It sounds stupid. But it works.
So here's the thing about the pass.
The trick to the pass is not getting it perfect. It's not getting it so fast the eye can't see it. It's not making it so silent you can't even hear it in a quiet room with no furniture.
It's learning to do it when no one is looking. It's learning to create a presentation that is interesting and engaging enough that no one cares what you might be doing with your hands. It's learning to create a big blank space in the performance where anything can be done and not one person in the crowd will even realize something has been done.
That's why I don't think you should learn from YouTube. No one on YouTube really teaches how to create magic. No one. Because it's hard. Because it can't easily be put into clever words that make people want to watch a video and rack up those views and balloon that paycheck. Because everyone wants to hear that when they learn this technique. Just this one, secret, technique that no one else is talking about - that will finally make their magic great.
But it can't be learned like that. It can only be learned by going out and performing. It can only be learned by figuring out what lines work for you. What jokes suit your style. What character best allows you to captivate an audience enough that they don't care how you do the tricks. What script will allow you to do everything you want, and get people invested enough that they care more about having the experience of seeing you do your thing, and how you do it doesn't matter. Nothing but performance time will ever teach you that.
Nothing.
And you can't put that into a video and get views. So it'll never be on YouTube.
So why bother learning from YouTube?