Coin and Pen Routine

Nov 27, 2009
456
3
What do you guys think of this? It's a little routine that I've been working on for a while now. I've never considered myself very good at coin magic, but I think I may be on to something with this routine. Any ideas/feedback appreciated.

[video=youtube;jy-dvvm2l2Q]http://www.youtube.com/watch?v=jy-dvvm2l2Q[/video]​

That poster-frame is incredibly awkward/strange...
 
Jul 14, 2010
206
0
Croatia
The idea isn't bad but the palming of the pen is very awkward and there where also too many changes in the beginning. I'm almost certain that you couldn't pull this off in front of a live audience.
The things that were good are the coin vanishes, especially the one where you say to figure out the way pen disappeared (I can't remember whose idea was that originally but you performed it very well).
All in all, the routine needs a lot of refining to be less confusing and you need to practice even more.

Cheers!
 
Aug 11, 2011
13
0
I agree, your pen palming is a bit too tense, we can "feel" the palm. If we, as magician, see something weird, your audience will too.

The routining is not too bad, but there's definitely room for improvement.
Some insights :
- Work on your pen palm, make it look more natural.
- Add some subtleties to your coin work, like showing both hands empty before retrieving the coin from the cap.
- Try spending less time with your pen on your ear, it looks akward when you spen too much time in this position.
- You have some patter issues : Don't use magician terms, like "Routine" (We'll try a routine with a pen and a coin). Laymen have no clue on what is a routine. Also, don't describe what you do, but try to construct a real patter.
For example, instead of : "If I take the coin, and put it in my hand like this, and wave over, the coin disappears", with my personnal style, I would say something like :
"Okay let's try this *I put the coin in the other hand*.".
"Would you believe me if I could slam the coin inside the cap without you seeing anything ?"
*Answer from the audience*
"Okay, let's go ! TAAAH ! *martial-arts-like kiai as I slam the pen in my hand*".
"Now the problem is, how do I get it out ? Actually, the coin shrunk inside, but if you shake... the cap... *pause* like a maniac... *shakes the cap multiple times, passing it in left and right hand, while putting the coin on the table under misdirection*
"It doesn't work. But maybe that's because the coin is already on the table ? *points at the coin*"
 
Nov 27, 2009
456
3
Do you guys have any resources to suggest for the pen palming move? I'm working on it, but I've yet to figure out a method that really works. Of course, if any of you are skilled with the move and have any tips feel free to PM me. I agree that I spent too long on the transformation thingy that I did, I'll work on that and see if I can make that look better.

I'm hoping to get Metal 1 soon, which will hopefully help with the use of subtleties. I've never really been able to figure out the theory behind those. I know why they're used and basically how to use them, but I've never really figured out how to work them into a routine and have it look natural. Plus, I only know 2, Malini subtlety and Ramsy subtlety. If there are more, I'm not aware of them. Do you have any resources to suggest for these things? I'm working through Bobo's Coin Magic, but I haven't seen anything in there.

As far as spending a lot of time with the pen behind the ear thing, that was actually a mistake. My shirt tale got in the way of the other thing I was doing so I had to make time. Usually that would be a 1 or 2 second thing.

Patter has always been my weak point. Thank you for your suggestion! Now that I have an idea of what to shoot for, I'll start working towards my own version of that.

I'm open to suggestions for resources or any thing else. Also if you have any specific tips that you think would help me with the moves I'm doing please PM me.
 
Jun 12, 2011
6
0
A thing you can do to make the palming of the pen look better is to hold the both hands the same way.
 
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