after some critique this is a new ACR. I know I flashed on my ego change and on my top change.
http://www.youtube.com/watch?v=-p8yDk2smik
http://www.youtube.com/watch?v=-p8yDk2smik
New acr
- Thread starter krazykards
- Start date
If you know you flashed, why did you post it? It doesn't matter if you know you flashed, you still flashed. It's like saying you killed someone, but at least you know you killed them so all should be forgiven and ignored. ok, that's a terrible example, but you get my point.
I'm not fond of the "you performing for the camera" due to the soul purpose of patter, it always sounds like people seem to mumble on when they do it, and start blabbing on, then again it's good for some criticism before you actually use the ACR.
Onto the trick, thank you for not using a get ready double, I hate those. Not saying your double was perfect, but it was decent, it could always be more smoother though.
The pass was executed well in my opinion and so was Shifty, got no issues there.
With the flashes, I'd advise always re-doing the video if you flash, that annoyed me a bit.
I also liked the palm, didn't even notice it.
That's all really, I actually liked it, good work.
Onto the trick, thank you for not using a get ready double, I hate those. Not saying your double was perfect, but it was decent, it could always be more smoother though.
The pass was executed well in my opinion and so was Shifty, got no issues there.
With the flashes, I'd advise always re-doing the video if you flash, that annoyed me a bit.
I also liked the palm, didn't even notice it.
That's all really, I actually liked it, good work.
Technically, it was nice. Nice pass, good switch at the start (although it could be a bit smoother). I just feel, as with most ambitious card routines that it's so boring. There was no real presentation and it was all very droney.
Nice palm by the way
Nice palm by the way
It feels like your technique is good enough to confuse all laymen. My only problem is, again, the patter.
What can help is talking less but more effectively. You're describing everything. In other words, you do not need to say something is amazing, and if you do then its very important to add voice inflection. You're a performer, and with that said everything you say is also a part of the act. That is why confidence is extremely important. You know you can execute the moves well, but you don't sound like it.
You sound unsure, and a little absent minded. Focus on the task at hand. I played the same video with no sound and was extremely amazed, whereas when i played with sound i found myself a bit bored.
These are all tips i got from a college speech class i took. It helps in commanding attention. Taking a breathe and emphasising certain parts really helps. You can also play around with the speed you talk, seriously. Pausing at the right times and talking slower will make all the difference.
EDIT: You're very talented, and these tips are just a way to enhance your crowd control and interest. Practice by telling stories to groups of people, as natural as you can. Then, use that same natural tone when performing. Once you get comfortable in front of a group of people without a deck of cards, adding them will only enhance your performance because of the talent you possess.
What can help is talking less but more effectively. You're describing everything. In other words, you do not need to say something is amazing, and if you do then its very important to add voice inflection. You're a performer, and with that said everything you say is also a part of the act. That is why confidence is extremely important. You know you can execute the moves well, but you don't sound like it.
You sound unsure, and a little absent minded. Focus on the task at hand. I played the same video with no sound and was extremely amazed, whereas when i played with sound i found myself a bit bored.
These are all tips i got from a college speech class i took. It helps in commanding attention. Taking a breathe and emphasising certain parts really helps. You can also play around with the speed you talk, seriously. Pausing at the right times and talking slower will make all the difference.
EDIT: You're very talented, and these tips are just a way to enhance your crowd control and interest. Practice by telling stories to groups of people, as natural as you can. Then, use that same natural tone when performing. Once you get comfortable in front of a group of people without a deck of cards, adding them will only enhance your performance because of the talent you possess.
I didn't see the first one... but here are some of my tips.
First, obviously, why post it if you know you flashed. Come one!
Second... some of the stages really didn't go anywhere, they were either on par with the previous rise or even less impressive. There were like, well, many, many rises-- if there are that many, why? I mean, sure, it's good that it comes to the top...then they can do it, flows somewhat nicely.
Patter: There should be better patter, than just explaining what they are seeing. ACR could be potentially performed in a club, with absolutely no sound, so what is the point of listening to your voice if you're just recapping what's already done? This isn't to say a lot of the patter wasn't relevant, because it was; most of it made sense. Loved how it ended, flowed really well.
I think if you want an on the go, shorter, more impressive ACR... I'd take out some of the phases.
I'd go with the first, regular rise. Then allow the spectator to do it, then do the Shifty, explaining the previous rises they didn't get to actually see it rise, then the pocket. One more phase could be added with good patter.
My two cents! Overall, a great routine with some great phases, just remember-- every action is either a positive or a negative (one Ben Train told me this...)- there are no neutrals! Take out your negatives and neutrals, or change them to positives.
First, obviously, why post it if you know you flashed. Come one!
Second... some of the stages really didn't go anywhere, they were either on par with the previous rise or even less impressive. There were like, well, many, many rises-- if there are that many, why? I mean, sure, it's good that it comes to the top...then they can do it, flows somewhat nicely.
Patter: There should be better patter, than just explaining what they are seeing. ACR could be potentially performed in a club, with absolutely no sound, so what is the point of listening to your voice if you're just recapping what's already done? This isn't to say a lot of the patter wasn't relevant, because it was; most of it made sense. Loved how it ended, flowed really well.
I think if you want an on the go, shorter, more impressive ACR... I'd take out some of the phases.
I'd go with the first, regular rise. Then allow the spectator to do it, then do the Shifty, explaining the previous rises they didn't get to actually see it rise, then the pocket. One more phase could be added with good patter.
My two cents! Overall, a great routine with some great phases, just remember-- every action is either a positive or a negative (one Ben Train told me this...)- there are no neutrals! Take out your negatives and neutrals, or change them to positives.
First of all, lemme say that the reason I posted the video with flashes of the ego and top change is because I was reposting a new video in response to criticism from my first ACR video about 5 minutes after the first one, so it was more of an example of how I changed things. If you hadnt watched the first one or read the comments in the forum then it would seem odd. I guess I should have posted the new vid in the same thread as the old one.
Any way, I want to thank everyone who takes the time to think about what they are going to write. I appreciate the criticism because it helps me to get better.
As far as presentation goes: everyone seems to think that technically it was good and certain phases could stay or go depending on opinion, but everyone unanimously agrees my patter sucks
I am definitely going to avoid giving a play by play as I go, as I can see that it makes it dull. Also, my voice is very monotone due to smoking a lot (i think) in my high school days, so maybe less talking overall, focusing on changing up my tone, tempo and emphasis.
That being said, as far as the monotony of an ACR routine goes, what can you really do? I would like to point out Daryl's 8 min routine that has approx. 1 million phases. I personally think that doing a card to mouth phase is more of a "me vs spectator" moment to show off my card control skills which is not what i want. Color changes are good but in the context of an ACR it would have to be that you made a mistake or something and the card didnt make it all the way up, but you can fix that magically.
I like some of john kamm's ideas like drawing the X on the card, etc., but i dont wanna take his ideas. I see how this definitely breaks up the monotony though, so any ideas similar to this would be great.
Any way, I want to thank everyone who takes the time to think about what they are going to write. I appreciate the criticism because it helps me to get better.
As far as presentation goes: everyone seems to think that technically it was good and certain phases could stay or go depending on opinion, but everyone unanimously agrees my patter sucks
I am definitely going to avoid giving a play by play as I go, as I can see that it makes it dull. Also, my voice is very monotone due to smoking a lot (i think) in my high school days, so maybe less talking overall, focusing on changing up my tone, tempo and emphasis.That being said, as far as the monotony of an ACR routine goes, what can you really do? I would like to point out Daryl's 8 min routine that has approx. 1 million phases. I personally think that doing a card to mouth phase is more of a "me vs spectator" moment to show off my card control skills which is not what i want. Color changes are good but in the context of an ACR it would have to be that you made a mistake or something and the card didnt make it all the way up, but you can fix that magically.
I like some of john kamm's ideas like drawing the X on the card, etc., but i dont wanna take his ideas. I see how this definitely breaks up the monotony though, so any ideas similar to this would be great.
Glad you've taken on board advice that was given to you. It's import to take constructive criticism well, otherwise you will never get anywhere.
Even though Daryl does have a lot of phases, he has good presentation. Watch and learn.
Even though Daryl does have a lot of phases, he has good presentation. Watch and learn.