I cannot say that I am typically a fan of DVDs that revolve around a single “groundbreaking” concept. I was skeptical about this whole project between Irving Quant and Dan and Dave Buck. The first teaser I saw was the Samurai Cut. I did not know what to think. When the full trailer was released, I became far more excited about Quantum Mechanics. Now that I have played with the ideas and tricks in the DVD, I bring you a review of what I find to be one of my favorite recent acquisitions in magic.
Sleights
The Distribution Technique
Let’s start with an important fact – The DVD revolves around this sleight. The Distribution Technique is a clever way to control cards from the top of the deck into multiple places in the deck. The method is knacky, but very doable. The Distribution Technique is NOT a flashy, visual sleight. In fact, you really don’t want people looking at your hands as it happens. Do not let this sway you. You are covered. If you are more than an amateur, you won’t have problems utilizing this.
-Angles
You are mostly covered with the Distribution Technique. There is a potential angle problem from one side that is taken care of by simply holding the cards at the correct angle. Aside from that, your only real angle problem comes from an Over-The-Shoulder view. I don’t know that there is a real way to solve the OTS angle problem, but at the same time you aren’t likely to ever have to solve that problem.
-Movement
Heads up – There is telltale movement. It is an odd movement as far as fishy movements go. You can tell that the hands are moving, but it does not look like a “move.” With practice, the movement simply looks like you are running your fingers along the edges of the deck, similar to squaring the deck. Irving covers the most important subtlety that takes the “big” movement and makes is MUCH smaller. The movement is realistically not a problem if you are moderately skilled.
-Notes
I talked with Irving about this move and he informed me that he always tries to use this move under cover of misdirection. This is not really different than any other move that is not meant to be visual. If you are doing the pass and want it to be invisible, you don’t call attention to it. You use it during the off-beat of your routine. The Distribution Technique is no different. I was a little disappointed at first, I will not lie. The disappointment quickly vanished as I began to watch the tricks on Quantum Mechanics (I began practicing the sleight after watching only the section on the Distribution Technique.) The DT is a hidden utility move that accomplishes very cool things. The DT allows you to do a lot of work by doing visibly nothing.
Thering Multiple Shift
I wonder where this sleight has been all of my life. I love it. This shift is a way to control cards placed into various places in the deck to the same place under the guise of pushing the cards into the deck. This is not a sleight for every situation, but it can be very convincing and is relatively easy.
-Angles
This is a sleight best viewed from the front. In fact, a straight ahead, down looking spectator will be perfect. You have need to be concerned with anyone directly at either side, though the problem is not as big as you may think. So long as your spectator is ahead of you and you control the angle of the deck properly, you’ve nothing to worry about.
-Movement
The worst thing about this sleight is the thing that, sadly, makes it work. There is a moment in the sleight where “too much” cover is given to the deck. This is overcome however with practice and a healthy dose of confidence.
-Notes
Though this sleight has one serious drawback, its applications more than make up for it. It fits in perfectly with the tricks that I will discuss later. That fact that you can use this shift to control multiple cards in different places in the deck to the top, bottom, 2nd from top, or nearly any other place, all together, makes this shift a very powerful tool. Consider this a part of my working repertoire already.
Atfus Variation
Irving’s take on the Any Time Face Up Switch by Ed Marlo. This is another keeper. I really have no issue with this sleight. It takes practice to get smooth and seamless, but what doesn’t? In this sleight, you are able to show four face-up cards on top of the face-down deck. In this process you cleanly switch out the bottom 3 face-up cards for other face-down cards. The face-up cards are cleanly hidden in perfect position for the Distribution Technique.
-Angles
Next to no angle problems are present in this move. You would have to have someone under the deck, or very low and to the side. This is very clean.
-Movement
There is no real fishy movement here at all. The biggest drawback is the fact that the sleight happens on top of the deck. That said it is as clean as can be. It does not have the look of a false count, because you really are counting the cards one by one in a very legitimate manner. There is simply a little something extra that you do that creates a beautiful illusion.
Tricks
Shotgun
-Plot
Four (or another small number) face up cards cleanly and instantly vanish from the top of the deck and are found distributed throughout the deck.
-Difficulty
This is about as simple as you can go with the Distribution Technique. This is what the DT is made for. No move money stuff here. If you are at an intermediate level, you will be fine with this.
-Notes
Not the most impressive thing in the world, but it is simple and powerful nonetheless. The description of the plot can really not add anything more. Irving includes two small variations to suit individual preferences. I may well use one of these variations as a part of an in depth ACR.
Katana Spread
-Plot
The performer explains that he will find the four aces in the deck with ease because they have been treated to be slick. He simply spreads the deck. The face-down spread has obvious gaps in it. These are said to be the aces. The performer squares the deck and instantly spreads it once more, this time, in the place of the gaps, the audience sees face-up aces.
-Difficulty
Easy. Once you learn to do the DT, this trick is nothing. Almost self working from the moment you use the DT.
-Notes
I lost it when I first saw the performance. I was watching SOOO hard and I even knew the DT. The whole thing just fried me. There is literally NOTHING done after the first spread. The deck is squared cleanly and spread again. Extremely simple and hard hitting. The spectator sees nothing fishy, just something impossible.
Pure Slap
-Plot
The four kings are placed face up on the deck. The four aces are inserted face up into different parts of the deck. In an instant, the kings on top of the deck and the aces in the deck switch places.
-Difficulty
Somewhat harder than the previous tricks, but not overly difficult. You will need some classic sleight of hand experience. I was doing this without much problem very soon after I began to get the Distribution Technique down.
-Notes
I enjoy this a lot. Very direct and very simple. It looks just the way it sounds. Irving also teaches a variation that allows you to finish this trick, and immediately reverse the effect, swapping the new cards on top of the deck and the cards inside the deck (See Backslap below.) To me, this trick is the heart and soul of the DVD. Not my all time favorite effect, but without a doubt a keeper.
Backslap
Backslap is hardly another trick. It is a simple variation on Pure Slap. Slightly harder, but the exact same concept done slightly different. That said, it too is a keeper.
Samurai Cut
-Plot
The deck is slid across a table. As it slides, it divides into packets. The top card of each packet is found to be one of the aces.
-Difficulty
Fairly easy. The hardest part is the throw. The throw is knacky, but comes with practice. Other than the throw, the trick is a piece of cake.
-Notes
This is the trick that I wanted to learn from the previews. I will be adding this to my close-up card set. Simple and direct, just like most of the material on this DVD.
Sleights
The Distribution Technique
Let’s start with an important fact – The DVD revolves around this sleight. The Distribution Technique is a clever way to control cards from the top of the deck into multiple places in the deck. The method is knacky, but very doable. The Distribution Technique is NOT a flashy, visual sleight. In fact, you really don’t want people looking at your hands as it happens. Do not let this sway you. You are covered. If you are more than an amateur, you won’t have problems utilizing this.
-Angles
You are mostly covered with the Distribution Technique. There is a potential angle problem from one side that is taken care of by simply holding the cards at the correct angle. Aside from that, your only real angle problem comes from an Over-The-Shoulder view. I don’t know that there is a real way to solve the OTS angle problem, but at the same time you aren’t likely to ever have to solve that problem.
-Movement
Heads up – There is telltale movement. It is an odd movement as far as fishy movements go. You can tell that the hands are moving, but it does not look like a “move.” With practice, the movement simply looks like you are running your fingers along the edges of the deck, similar to squaring the deck. Irving covers the most important subtlety that takes the “big” movement and makes is MUCH smaller. The movement is realistically not a problem if you are moderately skilled.
-Notes
I talked with Irving about this move and he informed me that he always tries to use this move under cover of misdirection. This is not really different than any other move that is not meant to be visual. If you are doing the pass and want it to be invisible, you don’t call attention to it. You use it during the off-beat of your routine. The Distribution Technique is no different. I was a little disappointed at first, I will not lie. The disappointment quickly vanished as I began to watch the tricks on Quantum Mechanics (I began practicing the sleight after watching only the section on the Distribution Technique.) The DT is a hidden utility move that accomplishes very cool things. The DT allows you to do a lot of work by doing visibly nothing.
Thering Multiple Shift
I wonder where this sleight has been all of my life. I love it. This shift is a way to control cards placed into various places in the deck to the same place under the guise of pushing the cards into the deck. This is not a sleight for every situation, but it can be very convincing and is relatively easy.
-Angles
This is a sleight best viewed from the front. In fact, a straight ahead, down looking spectator will be perfect. You have need to be concerned with anyone directly at either side, though the problem is not as big as you may think. So long as your spectator is ahead of you and you control the angle of the deck properly, you’ve nothing to worry about.
-Movement
The worst thing about this sleight is the thing that, sadly, makes it work. There is a moment in the sleight where “too much” cover is given to the deck. This is overcome however with practice and a healthy dose of confidence.
-Notes
Though this sleight has one serious drawback, its applications more than make up for it. It fits in perfectly with the tricks that I will discuss later. That fact that you can use this shift to control multiple cards in different places in the deck to the top, bottom, 2nd from top, or nearly any other place, all together, makes this shift a very powerful tool. Consider this a part of my working repertoire already.
Atfus Variation
Irving’s take on the Any Time Face Up Switch by Ed Marlo. This is another keeper. I really have no issue with this sleight. It takes practice to get smooth and seamless, but what doesn’t? In this sleight, you are able to show four face-up cards on top of the face-down deck. In this process you cleanly switch out the bottom 3 face-up cards for other face-down cards. The face-up cards are cleanly hidden in perfect position for the Distribution Technique.
-Angles
Next to no angle problems are present in this move. You would have to have someone under the deck, or very low and to the side. This is very clean.
-Movement
There is no real fishy movement here at all. The biggest drawback is the fact that the sleight happens on top of the deck. That said it is as clean as can be. It does not have the look of a false count, because you really are counting the cards one by one in a very legitimate manner. There is simply a little something extra that you do that creates a beautiful illusion.
Tricks
Shotgun
-Plot
Four (or another small number) face up cards cleanly and instantly vanish from the top of the deck and are found distributed throughout the deck.
-Difficulty
This is about as simple as you can go with the Distribution Technique. This is what the DT is made for. No move money stuff here. If you are at an intermediate level, you will be fine with this.
-Notes
Not the most impressive thing in the world, but it is simple and powerful nonetheless. The description of the plot can really not add anything more. Irving includes two small variations to suit individual preferences. I may well use one of these variations as a part of an in depth ACR.
Katana Spread
-Plot
The performer explains that he will find the four aces in the deck with ease because they have been treated to be slick. He simply spreads the deck. The face-down spread has obvious gaps in it. These are said to be the aces. The performer squares the deck and instantly spreads it once more, this time, in the place of the gaps, the audience sees face-up aces.
-Difficulty
Easy. Once you learn to do the DT, this trick is nothing. Almost self working from the moment you use the DT.
-Notes
I lost it when I first saw the performance. I was watching SOOO hard and I even knew the DT. The whole thing just fried me. There is literally NOTHING done after the first spread. The deck is squared cleanly and spread again. Extremely simple and hard hitting. The spectator sees nothing fishy, just something impossible.
Pure Slap
-Plot
The four kings are placed face up on the deck. The four aces are inserted face up into different parts of the deck. In an instant, the kings on top of the deck and the aces in the deck switch places.
-Difficulty
Somewhat harder than the previous tricks, but not overly difficult. You will need some classic sleight of hand experience. I was doing this without much problem very soon after I began to get the Distribution Technique down.
-Notes
I enjoy this a lot. Very direct and very simple. It looks just the way it sounds. Irving also teaches a variation that allows you to finish this trick, and immediately reverse the effect, swapping the new cards on top of the deck and the cards inside the deck (See Backslap below.) To me, this trick is the heart and soul of the DVD. Not my all time favorite effect, but without a doubt a keeper.
Backslap
Backslap is hardly another trick. It is a simple variation on Pure Slap. Slightly harder, but the exact same concept done slightly different. That said, it too is a keeper.
Samurai Cut
-Plot
The deck is slid across a table. As it slides, it divides into packets. The top card of each packet is found to be one of the aces.
-Difficulty
Fairly easy. The hardest part is the throw. The throw is knacky, but comes with practice. Other than the throw, the trick is a piece of cake.
-Notes
This is the trick that I wanted to learn from the previews. I will be adding this to my close-up card set. Simple and direct, just like most of the material on this DVD.
