Hey there,
in order to pass the entry exam i need to answer a couple of questions regarding magic theory. Although I researched most questions, there questions where I didnt find a good, trustworthy answer or some answers contradicted itself. Although some questions are partly clear they still need some refinement.
1. In which ways/areas can/should the magician develop himself in order to be successful in magic?
2. Which possibilities has the magician to develop himself? (Seems like Q1&Q2 are the same. I dont know how to answer both of them differently.)
3. What are important points to consider when one does magic with animals?
4. What should one specifically consider when tablehopping? (Although I have a lot of ideas here I dont know what they want specifically as an answer.)
5. What should one specifically consider with audience participants on the stage? (Maybe clear instructions, no offending, being nice, ...?)
6. How does Black Magic exactly distinguish itself from the art of magic?
7. What is the worlds oldest magic book? When, by whom and why was it written?
Although it seems that the answers are clear to you and easil searchable ( e.g. last question: I got some things about a book by Scot: Discovery of Witchcraft but others are claiming the old Greeks and Romans had some books in this direction too snd now I dont know what was the first real book on magic), I didnt find a 100 percebt compelling, exact answer. Thank you for your help. It means a lot to me.
Cheers
Philipp
in order to pass the entry exam i need to answer a couple of questions regarding magic theory. Although I researched most questions, there questions where I didnt find a good, trustworthy answer or some answers contradicted itself. Although some questions are partly clear they still need some refinement.
1. In which ways/areas can/should the magician develop himself in order to be successful in magic?
2. Which possibilities has the magician to develop himself? (Seems like Q1&Q2 are the same. I dont know how to answer both of them differently.)
3. What are important points to consider when one does magic with animals?
4. What should one specifically consider when tablehopping? (Although I have a lot of ideas here I dont know what they want specifically as an answer.)
5. What should one specifically consider with audience participants on the stage? (Maybe clear instructions, no offending, being nice, ...?)
6. How does Black Magic exactly distinguish itself from the art of magic?
7. What is the worlds oldest magic book? When, by whom and why was it written?
Although it seems that the answers are clear to you and easil searchable ( e.g. last question: I got some things about a book by Scot: Discovery of Witchcraft but others are claiming the old Greeks and Romans had some books in this direction too snd now I dont know what was the first real book on magic), I didnt find a 100 percebt compelling, exact answer. Thank you for your help. It means a lot to me.
Cheers
Philipp
