When it comes to respect, there are people who've certainly got it as far as the members of this site go. Lee Asher, the Bucks, Chris Kenner...etc.
This is great!
However, this is counterbalanced by a shocking lack of respect for a great many other names in magic; Jay Sankey to name but one example.
Stop and think for a moment; compare your own achievements and experiences to those who you so casually dismiss.
Criss Angel is a household name, as is David Blaine. These guys have achieved exactly what many members here can only dream of. Who's to say how you would handle having to put together a new, bigger, better show on a weekly basis? Working professionals deserve your respect, household names or not, because they have got together the balls and the hard work to make a success out of their magic.
My point is this. If a magician is so successful that you've heard of them, that their name is well recognised by the magical community - or indeed the general public - then its a 100% guarantee that you can learn something from them. The implication here is obvious; if you want to become a better magician, a more successful magician, then study the work of other successful magicians. The more baseless preconceptions you put in the way of that, the more you limit your own potential to progress.
My performing style is nothing like Bill Malone's - or David Stone's - or John Guastaferro's. The vast majority of Tommy Wonder's material doesn't fit my criteria as far as the tricks themselves go. However, I have learned a lot about what kind of performer I want to be by studying the work of these highly successful magicians; the proof is in the performance and I know my audiences can tell the difference. Did I look at Malone's stuff and say "nah, not my style!"? Of course not. I thought "his audience is REALLY enjoying themselves - how's he doing that?" and set out to find out.
Credit where credit's due, that's all I'm sayin'
This is great!
However, this is counterbalanced by a shocking lack of respect for a great many other names in magic; Jay Sankey to name but one example.
Stop and think for a moment; compare your own achievements and experiences to those who you so casually dismiss.
Criss Angel is a household name, as is David Blaine. These guys have achieved exactly what many members here can only dream of. Who's to say how you would handle having to put together a new, bigger, better show on a weekly basis? Working professionals deserve your respect, household names or not, because they have got together the balls and the hard work to make a success out of their magic.
My point is this. If a magician is so successful that you've heard of them, that their name is well recognised by the magical community - or indeed the general public - then its a 100% guarantee that you can learn something from them. The implication here is obvious; if you want to become a better magician, a more successful magician, then study the work of other successful magicians. The more baseless preconceptions you put in the way of that, the more you limit your own potential to progress.
My performing style is nothing like Bill Malone's - or David Stone's - or John Guastaferro's. The vast majority of Tommy Wonder's material doesn't fit my criteria as far as the tricks themselves go. However, I have learned a lot about what kind of performer I want to be by studying the work of these highly successful magicians; the proof is in the performance and I know my audiences can tell the difference. Did I look at Malone's stuff and say "nah, not my style!"? Of course not. I thought "his audience is REALLY enjoying themselves - how's he doing that?" and set out to find out.
Credit where credit's due, that's all I'm sayin'