Why That's Just Silly!

Sep 1, 2007
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I was thinking (I do that sometimes, but try to contain your surprise), making a trick's presentation silly can actually (believe it or not) make said trick cooler. The more outrageous the trick, the sillier it should be.

The idea I had uses that Criss Angel levitation (which I personally find impractical). Basically, I tie a cape around my neck and announce that I need to interrupt the performance to go save the world. I turn around go over to a ledge, do the intentionally vague "stuff," and begin to fly upwards, stop, go back down and announce that my spidey sense had informed me that the UN is on it.

Yes, it is quite silly, isn't it. But silliness can really be good misdirection.

Using a principle similar to that levitation, one could hand his or her audience a deck of cards, treating it like a gun, talking about gun safety, etc. The magician would have audince members throw cards at the magician who would use that similar principle to do a slo-mo matrix dodge, bending back and flailing his arms, seeming to defy gravity.

The idea is that if I pull the audince into my silliness, they will be more receptive. They'll go along for the ride.

Magicians use humor a lot, to warm spectators up, but sometimes will shy away from it since it can crowd the effect. I think this is absolutely the right thing to do for certain effects, but when you start to delve into the laws of the universe, It may be safer to not be too serious.

Take some Paul Harris effects, for example. He has one in which the magician reaches his hand behind over his shoulder and stretches down between his legs. The patter for this is very light hearted. Take "Looy's False Count." Nobody will possibly believe that illusion if it is treated entirely seriously. I have performed that a few times and show it as more of a novelty. The suggested patter for the Aerodynamic Dollar is "damn thing ran out of gas."

These stunts are to entertain your audience. If one is too serious, that will detract from a performance. So be serious for Stigmata. Joke around for Saw (you can actually do some gruesomely hilarious presentations of that one. Just start talking like you've had a tracheotomy, pulling the string back and forth, and try to smile...)
 
Sep 1, 2007
1,699
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To each his or her own. If a silly presentation doesn't fit in with the rest of the routine, I don't think that it's necessary. If someone's presentation is meant to be incredibly serious, sticking in a silly effect just doesn't make much sense.

Mitchell

I suppose that should go without saying. I just think that it's sometimes akward to have somebody joke around a lot and then do a mentalism effect that's the most serious thing in the world. I think a routine can go one of a few ways. I prefer, however, one of two ways. Either being lighthearted and then doing something powerful that effectively changes the mood, or going from being light-hearted to doing something outrageous that is itself ourtageous.

I'd cite Penn and Teller as being the masters of this. They'll start out joking around a bit, before very humourously shredding one-another guts out with grapefruit spoons, or they'll do something like their bullet-catch where they start out light-hearted, but then turn to being a bit more serious, as they will ask for complete silence and act very cautious.

But again, you're right--depends on the peson and the routine.
 
Sep 1, 2007
457
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San Diego
I suppose that should go without saying. I just think that it's sometimes akward to have somebody joke around a lot and then do a mentalism effect that's the most serious thing in the world. I think a routine can go one of a few ways. I prefer, however, one of two ways. Either being lighthearted and then doing something powerful that effectively changes the mood, or going from being light-hearted to doing something outrageous that is itself ourtageous.

I'd cite Penn and Teller as being the masters of this. They'll start out joking around a bit, before very humourously shredding one-another guts out with grapefruit spoons, or they'll do something like their bullet-catch where they start out light-hearted, but then turn to being a bit more serious, as they will ask for complete silence and act very cautious.

But again, you're right--depends on the peson and the routine.

i think i just crapped myself
that was really really good
 
Sep 1, 2007
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Depending on who I'm performing for I'll be a bit silly. Sometimes when I do the Biddle Trick, at the point where one would separate the deck halves to "decide" which half the card is in, I'll shake, listen to , and even sometimes smell the packs. After that, people just think I'm being an idiot. Once the trick ends, they don't know what to think.
 
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