Sorry for the novel but I have much to say.
I'm a fan of both. I didn't get into magic thanks to David, as a matter of fact, my interest in magic came from watching a little guy who was short (like me) who didn't talk much (unlike me). His name is Teller, you may have heard of him. Does really great SOH at a level I'll never attain. I've been watching one of his tricks regularly for 15 years and I still can't crack it. Truly I don't want to know how it's done anymore; it's too good for a hack like me to know. Penn, he's a good performer but when he's talking outside of performance I feel like I'm watching somebody eating glass as a stunt. It's going to go wrong eventually, you just hope it's not today. I agree and disagree with him on thousands of points of conversation.
Gotta be transparent here. On this particular topic... Penn's a hypocrite and needs to shut his face. The concept that it's wrong and unethical to perform something on stage that could be dangerous, thus making the audience psychologically "to blame" is one thing... but Penn and Teller do that! Penn himself alluded to this in an episode of fool us when he was juggling. There is no safe way to juggle broken bottles. I don't buy that he'd have practiced the skill if he weren't going to do it for an audience so every audience who's ever seen it is responsible for every drop of blood he's shed learning it. While he can be a very good juggler, he can't know that a large piece of glass isn't going to dislodge just as he tosses the bottle thus changing it's weight and changing the way it will 'catch air' during the rotation. It's a dangerous stunt. If the bottle rotates oddly, it could do a lot of really bad things. The nail gun trick, I've basically figured out how he does that one so I won't go into that side, but it appears as though he could possibly fire a nail through his hand if he loses his count. I'm 99.9% sure that's not physically possible, but that's the illusion: it's a high stakes memory game.
Simply put, if P&T want to become opponents of doing "dangerous" things on stage, then they're going to be a big guy with some weird ideas juggling tennis balls while the little guy does stunning parlor magic. No juggling torches, no fire eating, no juggling broken bottles, no nail gun trick, no rat cage, no fur traps, no bullet catch, (as it is portrayed as being dangerous to the average viewer). His ideals would gut their performance.
When I was listening to the audio of his tirade I got the feeling that he wasn't angry about the danger, but about the draw. Almost like he knew if David was working a theater across the street from a P&T show, the P&T gate would be hurt by his presence. Less about disliking his portrayal of an old, old, ohhhhhhlllllllllddddd trick incredibly well and more about the guy being a legit performer who's got something going on that the same old 17 tricks wouldn't always outwork on a given Tuesday night.
I haven't seen David catch the bullet, but I know precisely how *I'd* "catch it" and make it look 100% legitimate without ever putting a live round in the gun. Thus, I see how it's a trick and how it's a magician lying about what's happening... lying about what's happening is what, 99% of the job? I haven't told the truth about what I was doing during a performance since my first performance. I think Penn's talking more as a performer who's worried about not being as much a draw as the next guy and knowing that his drawing power may be in peril. As such, you can't really take him seriously on this. He's speaking defensively, not creatively.
Some guy comes along with a card trick where the spec picks and signs a card, the magician whips out a blade, cuts open his abdomen and reveals that stuck to his liver is the chosen signed card, cuts it off his liver, lays it on the table, and sutures himself up... I'm not going to be a big fan of that guy's style. I'll have to think of why it's wrong besides the obvious explanation, that he'd blow me off any stage in the world with it. Too gory, yeah, too gory. Not family friendly.
I'm a fan of both. I didn't get into magic thanks to David, as a matter of fact, my interest in magic came from watching a little guy who was short (like me) who didn't talk much (unlike me). His name is Teller, you may have heard of him. Does really great SOH at a level I'll never attain. I've been watching one of his tricks regularly for 15 years and I still can't crack it. Truly I don't want to know how it's done anymore; it's too good for a hack like me to know. Penn, he's a good performer but when he's talking outside of performance I feel like I'm watching somebody eating glass as a stunt. It's going to go wrong eventually, you just hope it's not today. I agree and disagree with him on thousands of points of conversation.
Gotta be transparent here. On this particular topic... Penn's a hypocrite and needs to shut his face. The concept that it's wrong and unethical to perform something on stage that could be dangerous, thus making the audience psychologically "to blame" is one thing... but Penn and Teller do that! Penn himself alluded to this in an episode of fool us when he was juggling. There is no safe way to juggle broken bottles. I don't buy that he'd have practiced the skill if he weren't going to do it for an audience so every audience who's ever seen it is responsible for every drop of blood he's shed learning it. While he can be a very good juggler, he can't know that a large piece of glass isn't going to dislodge just as he tosses the bottle thus changing it's weight and changing the way it will 'catch air' during the rotation. It's a dangerous stunt. If the bottle rotates oddly, it could do a lot of really bad things. The nail gun trick, I've basically figured out how he does that one so I won't go into that side, but it appears as though he could possibly fire a nail through his hand if he loses his count. I'm 99.9% sure that's not physically possible, but that's the illusion: it's a high stakes memory game.
Simply put, if P&T want to become opponents of doing "dangerous" things on stage, then they're going to be a big guy with some weird ideas juggling tennis balls while the little guy does stunning parlor magic. No juggling torches, no fire eating, no juggling broken bottles, no nail gun trick, no rat cage, no fur traps, no bullet catch, (as it is portrayed as being dangerous to the average viewer). His ideals would gut their performance.
When I was listening to the audio of his tirade I got the feeling that he wasn't angry about the danger, but about the draw. Almost like he knew if David was working a theater across the street from a P&T show, the P&T gate would be hurt by his presence. Less about disliking his portrayal of an old, old, ohhhhhhlllllllllddddd trick incredibly well and more about the guy being a legit performer who's got something going on that the same old 17 tricks wouldn't always outwork on a given Tuesday night.
I haven't seen David catch the bullet, but I know precisely how *I'd* "catch it" and make it look 100% legitimate without ever putting a live round in the gun. Thus, I see how it's a trick and how it's a magician lying about what's happening... lying about what's happening is what, 99% of the job? I haven't told the truth about what I was doing during a performance since my first performance. I think Penn's talking more as a performer who's worried about not being as much a draw as the next guy and knowing that his drawing power may be in peril. As such, you can't really take him seriously on this. He's speaking defensively, not creatively.
Some guy comes along with a card trick where the spec picks and signs a card, the magician whips out a blade, cuts open his abdomen and reveals that stuck to his liver is the chosen signed card, cuts it off his liver, lays it on the table, and sutures himself up... I'm not going to be a big fan of that guy's style. I'll have to think of why it's wrong besides the obvious explanation, that he'd blow me off any stage in the world with it. Too gory, yeah, too gory. Not family friendly.