You don't pass when people are looking.Thank god you're here to point out what we're all doing wrong...
Question though: If they're not looking anyway, why bother with a classic pass? Why not just cut the deck? Blantant actions are total invisible if done when no one is looking, the top change proves this theory.
The classic pass is an invisible control in that no visible cutting/shuffling occurs. Why bother with an invisible action when no one is looking?
Rev
You don't pass when people are looking.
Correct, but then I don't pass at all.
But again, if people aren't looking why not just cut the deck?
Rev[/QUOTEI understand now. I completely agree
Sometimes I will Pass on Pass, and other times I just Pass. If I'm at dinner, I'll usually pass the salt and the rolls.
The Blind Square is my favorite control. It is slow and deliberate and really hard to follow.
https://www.vanishingincmagic.com/magic-downloads/card-magic-downloads/blind-square/
There are some angles to be considered but for a small group of magicians or laymen it is my go to.
I mess with TOP by Alex Pandrea sometimes. It's interesting to play with but I don't love it.
https://www.artofmagic.com/products/top
For a four of a kind I use Synchronicity by Ollie Mealing if I have a table
http://www.ellusionist.com/control-by-ollie-mealing.html
If I don't have a table I use the multiple shift face up in Card Control
Blind Square fooled me so much, that I'm not entirely sure if I'm dreaming or not anymore...
It's a little bold and a little angle sensitive, but it is crazy deceptive.
Is it similar to the angle sensitivity of le cool control? I'm looking for a control that will leave a card outjogged in the middle, while getting it to the top. This might be it. Is it only good straight on?
Lee Asher's Losing Control. No angle sensitivity. It is that good.
Is it similar to the angle sensitivity of le cool control? I'm looking for a control that will leave a card outjogged in the middle, while getting it to the top. This might be it. Is it only good straight on?
I just paid to learn Blind Square. It was worth the ten bucks. And now I have added it to my favorite card controls (practicing constantly at the moment).
It *is* rather bold but so, so effective.
That sounds like some solid advice.I recommend lots of mirror practice, get used to how it feels in your hands and how what you see translates into what the audience sees.
Very nicely executed. <applause>The link on my last post is wrong https://www.instagram.com/p/BQO3eNNBN3v/?taken-by=_dl360_