OK When you guys are talking about coin magic, you forgot one major factor. Coin in bottles and Coin is Cans, and Coins in various other objects (tomatoes lemons etc.). All these are coin magic effects, but make much more sence than pure coin magic. Personally I hate coin magic because I can't handle small objects well ( I'm gonna get attacked for this by the thread starter... ), but CIB and other effects using other inanimate objects make it much more understandable and logical that normal coin magic.
Take for example Factory Sealed, I wonder how many of you guys actually knew how this effect worked by just watching the promo. it was hard hitting and it made perfect sence and it got you emotionally attatched. You were thinking to yourself, " How did this coin get into this bottle while the magician holds onto the bottle with only his fingertips. How did he get it inside an unopened bottle?" This is coin magic that makes people scream. Even if some speculate if the bottle was really unopened, they still wonder how the coin went in with as much exposure of the bottle as possible. This is real coin magic.
Another point I would like to make is that miuch of magic has bad patters that go with good effects, and coin magic unfortunately is very weak when it comes to patters let alone speaking to the audience. Take Triumph for example, it has one of the worst patters possible in my opinion ( I'm talking about the one where the magician goes into a bar and a drunk guy shuffles the cards wrong way up). Why would anyone want to tell someone about their meeting with a drunk guy at a bar? What does this have to do with magic? But when the effect is done, that is when the spectator is amazed. Though he may not understand why you are talking crap , he visually understood what happened. This type of problem occurs in all types of magic. Another example is the thumbtip. What makes the spectator emotionally attatched to the effects performed with it? All it looks like is a guy shoving a silk into his palm. But when it dissapears, this is when it amazes them.
So what I am saying is that effects dont have to be emotionally attatched to the spectator, they have to catch them off guard with something truly amazing. TNR has a really bad patter which makles you think that Chris Kenner is crazy (on offence) , but if you do the restoration only, that itself withthe silence amazes you.
BASICALLY I AM SAYING MAGIC DOESN'T HAVE TO BE LOGICAL!
Take for example Factory Sealed, I wonder how many of you guys actually knew how this effect worked by just watching the promo. it was hard hitting and it made perfect sence and it got you emotionally attatched. You were thinking to yourself, " How did this coin get into this bottle while the magician holds onto the bottle with only his fingertips. How did he get it inside an unopened bottle?" This is coin magic that makes people scream. Even if some speculate if the bottle was really unopened, they still wonder how the coin went in with as much exposure of the bottle as possible. This is real coin magic.
Another point I would like to make is that miuch of magic has bad patters that go with good effects, and coin magic unfortunately is very weak when it comes to patters let alone speaking to the audience. Take Triumph for example, it has one of the worst patters possible in my opinion ( I'm talking about the one where the magician goes into a bar and a drunk guy shuffles the cards wrong way up). Why would anyone want to tell someone about their meeting with a drunk guy at a bar? What does this have to do with magic? But when the effect is done, that is when the spectator is amazed. Though he may not understand why you are talking crap , he visually understood what happened. This type of problem occurs in all types of magic. Another example is the thumbtip. What makes the spectator emotionally attatched to the effects performed with it? All it looks like is a guy shoving a silk into his palm. But when it dissapears, this is when it amazes them.
So what I am saying is that effects dont have to be emotionally attatched to the spectator, they have to catch them off guard with something truly amazing. TNR has a really bad patter which makles you think that Chris Kenner is crazy (on offence) , but if you do the restoration only, that itself withthe silence amazes you.
BASICALLY I AM SAYING MAGIC DOESN'T HAVE TO BE LOGICAL!