its not that is A c/s routine. that would be silly. the fact is its his particular c/s routine. credit is not given where its due as it has someone elses name in the title.
Actually, Steve has voiced his opinion on the cafe.
others have ripped him off thats one reason you never hear from him. he told me he only sells to a list of people he compliled to stop the coping of his work
ok guys ... this is the the last post i had on the cafe. forgive me if its hard to understand i spent alot of time tonight getting the facts. i talked to BJ on the phone and had some email correspondance with steve deuscheck.
ok guys iv had quite the long night. iv spend some hours tonight with a group of magicians here locally discussiong this. iv had some talk with steve via pm and email. iv spent a hour on the phone with bj beuno.
iv come up with some conclusion, and after alll of this im done with it. you have no idea the energy used to find out one thing. is the routine different?
the answer is yes.
do i think BJ should be able to sell the routine. yes
after finally getting the information i was always looking for i found these difference. DD is done at the finger tips using a new original switch showing hands empty of extra coins showing both sides of the coins and a visual transposition/change. only 2 real similarities exist based on my research of the routine. 1. both a c/s effect 2. same gaff
now my thoughts on the gaff matter is that permission was given to jamie schoolcraft to make these coins. to think that someone will only do ONE single routine with this gaff is a bit , i dunno... not reality? i am in no way questioning the creditbility of steve. i have mixed sources about the date of the coin but even bobo made mention of it for a sun moon effect, so even if steve marketed it first others thought of it before. im inclined to go on this patteren of thought as no one has questions karl's published routine with it ( that i do not have ) so even if steve thought of it before karl, it sets some precident with makeing routines using the gaff acceptable. if this is not a acceptable practice i beg those performming selling coin shell routines to find the orinator nad ask permission.
now to back my conclsuion on this after much thought, steve gave jamie permission to make and sell this gaff. jamie did just that, and someone sold a good routine using it. im sorry if such a arrangment is now regreted.
i can also say form talking to BJ he showed the routine and method to many people that every single one of you respects, if you want to know who ask BJ, he was very up front in saying that if you have a problem with this to ask him directly on T11 and he will address the issue.
i have more thoughts on this but im tired. im satisfied with the information given to me, and i hope everyone else is too. im sorry it was such a up and down road just for me to get a answer to one simple question when all i wanted to know was the difference. im not sure it was worth the time, but at least in my mind i know.
Um, where have you seen the gimmick before?What is original about Panic? I am guessing it is just Aaron's handling of the gimmick that is new there.
Lee Asher's release is actually a re-release from his Thinking Out Loud booklet in DVD format. TOL is $12 by the way and you get 6 effects/sleights with it.
The 1-on-1 sessions....tricks/sleights from Kenner's book in video format.
All in all, a major letdown in my opinion given all the hype leading up to this site coming online.
--Jim
ok guys ... this is the the last post i had on the cafe. forgive me if its hard to understand i spent alot of time tonight getting the facts. i talked to BJ on the phone and had some email correspondance with steve deuscheck.
ok guys iv had quite the long night. iv spend some hours tonight with a group of magicians here locally discussiong this. iv had some talk with steve via pm and email. iv spent a hour on the phone with bj beuno.
iv come up with some conclusion, and after alll of this im done with it. you have no idea the energy used to find out one thing. is the routine different?
the answer is yes.
do i think BJ should be able to sell the routine. yes
after finally getting the information i was always looking for i found these difference. DD is done at the finger tips using a new original switch showing hands empty of extra coins showing both sides of the coins and a visual transposition/change. only 2 real similarities exist based on my research of the routine. 1. both a c/s effect 2. same gaff
now my thoughts on the gaff matter is that permission was given to jamie schoolcraft to make these coins. to think that someone will only do ONE single routine with this gaff is a bit , i dunno... not reality? i am in no way questioning the creditbility of steve. i have mixed sources about the date of the coin but even bobo made mention of it for a sun moon effect, so even if steve marketed it first others thought of it before. im inclined to go on this patteren of thought as no one has questions karl's published routine with it ( that i do not have ) so even if steve thought of it before karl, it sets some precident with makeing routines using the gaff acceptable. if this is not a acceptable practice i beg those performming selling coin shell routines to find the orinator nad ask permission.
now to back my conclsuion on this after much thought, steve gave jamie permission to make and sell this gaff. jamie did just that, and someone sold a good routine using it. im sorry if such a arrangment is now regreted.
i can also say form talking to BJ he showed the routine and method to many people that every single one of you respects, if you want to know who ask BJ, he was very up front in saying that if you have a problem with this to ask him directly on T11 and he will address the issue.
i have more thoughts on this but im tired. im satisfied with the information given to me, and i hope everyone else is too. im sorry it was such a up and down road just for me to get a answer to one simple question when all i wanted to know was the difference. im not sure it was worth the time, but at least in my mind i know.
Hi All,
First, to JTW, I do not claim any authority on anything in magic, however, I know the history on this matter. Please pay attention to what you are about to read, because I do not intend to post on this issue again. You will not hear any rebuttal to these facts from Fulves, Elliott or Guitar, because to do so would be a lie. Steve Dusheck created the sliding shell in the mid-60's. He sold one of the first ones to J.G. Thompson. He gave Eddie Gibson of England the right to manufacture and market the idea with Steve's Slippery Sam routine in 1970. Gibson marketed it and the copyright date on the instructions is 1971. Bob Elliott bought a set and worked out his routine. Karl Fulves asked for permission to publish it, which he did in Pallbearer's Review. BTW, for BJ's information, that magazine did not exist in the 50's. Fulves claimed that the idea for the sliding shell was old, but when challenged on that fact, he later recanted and admitted that Dusheck created it.
Steve showed his routine to Don Alan. Pressley Guitar was there and freaked out over it. He bugged Steve for it and Steve not only showed him the gaff but explained exactly how to make it.
B.J. Bueno spoke to Steve Dusheck several years ago and wanted his permission to market his routine. Steve offered to sell him the gaffs wholesale "As long as he was not marketing it as a Copper/Silver Transposition". B.J. could not do that. He went to Todd Lassen to get the gaffs made, but Lassen did not have Steve's permission to do that. Jamie Schoolcraft asked Steve for permission to make the gaffs for customers. Steve gave him permission on the assumtion that it would be for guys who wanted a special version of the gaff. I don't believe that T11 told Jamie what they wanted the gaffs for, but I cannot attest to that fact for certain. All I know is that I was called by a mutual friend who said that "Jamie is sick over this and wants to talk to Steve to make things right".
I spoke to Steve Duscheck the other evening and he is sick over this whole fiasco. I feel the same way. I find it very distressing that several talented young men who I call friends would stoop to this level of thievery. I have had the pleasure of calling Steve Dusheck my friend for many years. He has helped me over the years in so many ways, not the least of which creating effects specifically for my repertoire. I consider him one of the five most creative men, if not in the entire history of magic, at least in the last 100 years. It is a pity that repeated activities such as this have caused him to retreat from magic. Everyone in our art will suffer for that, instead of being able to enjoy so many more fruits of his labors.
Marc DeSouza